To begin with this project I wanted to start with a complete blank slate as I did not want to shoehorn myself into one specific subject to early so I began with some basic word association with some basic mind maps on all three of our given subject briefs.
With the word association done I was able to do my best to narrow my final project into the realm of architecture and portraiture which was a great way to encorporate how the trauma of our surroundings affects the human condition.
Architecture and portraiture have long been influential in the world of art and design, both subject areas offered unique avenues for my own creative expression, and when combined create captivating and thought-provoking works of art.
My research aims where to delve into the process of my project that explored the connection of architecture and portraiture in the underlying discovery of underlying trauma. By using historical locations and contemporary examples as I will explore how these two subjects can be integrated to create an innovative and engaging artistic project.
Embarking on my project combined architecture and portraiture, it was essential to immerse myself in the locations backgrounds and research. This involved basic studying into architectural styles, iconic buildings, and influential architects throughout Edinburgh. By gaining a deeper understanding of the locations I was then able to decide on how to shoot my test footage on said locations at a later date.
Researching the architectural elements form and structure provided a real strong foundation for the development of visual ideas. Additionally, exploring the cultural and historical significance of the landmarks again offered insight into the narrative and stories that can be incorporated into the project.
Portraiture, on the other hand, is an art form that focuses on representing the human form and capturing the essence of individuals. Research on portraiture and experimenting was the most crucial for understanding the history and various approaches employed by renowned artists. By researching works of traditional and contemporary artists, I was able to gain insights into composition, lighting, expression, and psychological depth, which are essential aspects to consider when integrating portraiture somehow into architectural settings.
The integration of architecture and portraiture can be approached in numerous ways, depending on the artist’s vision obviously and objectives. One approach involved photographing said locations and later painting myself and experimenting with collage on the architectural spaces that hold historical significance. With a sense of identity, belonging, or nostalgia, while also highlighting the connection between the individual and their surroundings.
Another approach involve incorporating architectural elements directly into the portraits themselves. This included using architectural motifs, collaging architectural locations onto the more natural world elements, creating sculptural elements within the portrait. By merging these two subjects its a way to explore the interconnectedness of human identity and the built environment.
